Aruz in Azerbaijani Makam Music and examination of current issues

Abstract

This study aims to address the issues in the use of the aruz meter, the fundamental source of the art of makam music, which is an important component of Azerbaijani music, in contemporary Azerbaijani modern music. It is observed that very few authors utilize the aruz meter. As a research method, examples of the aruz meter in Azerbaijani music were selected to demonstrate the proper use of the aruz meter in makam music. The literary and musical qualities of these examples were analyzed in detail to determine their high skill characteristics. Particularly using content analysis and comparative analysis methods, the mastery levels in the use of the aruz meter were revealed. The research results included an examination of Hacıbeyli's "Şebi-Hicran Chorus" and "Duet" from Leyla and Mecnun, written according to the aruz meter, as well as İlgar Fehmi's "Geceler Ghazal" in modern times. High skill levels in the use of the aruz meter were observed in these works. However, there are few other works available for examination. The reasons for the scarcity of aruz meter use in the contemporary period include the difficulty and complexity of using aruz, changes in society's music consumption preferences, and consequently, musicians' avoidance of using aruz in their works, as well as changes in music education. The creation and examination of works using the aruz meter can ensure the continuation of cultural richness in this field. Further examination of other works is recommended.