The role of musical practices in the formation of transnational identities among migrant communities

Authors

  • Alper Şakalar Author

DOI:

https://doi.org/10.5281/zenodo.15031815

Keywords:

Cultural hybridization, Migrant communities, Musical practices, Transnational identities, Transnational music

Abstract

This study examines the role of music in the construction of transnational identities among immigrant communities. With the rise of globalization and migration movements, the processes through which individuals and communities engage with multiple cultural contexts have become increasingly complex. In this context, music has evolved beyond merely an aesthetic form of expression to become a critical tool in identity construction and social integration. The research explores how the musical practices of immigrant communities carry the cultural elements of their places of origin into new living spaces, how these elements are transformed, and how new forms of identity emerge during this process. Additionally, the study investigates the contribution of musical practices to the social integration processes of immigrant individuals and the relationship of music with concepts such as cultural hybridity, resistance, and authenticity. The findings reveal that music functions as both a cultural bridge and an instrument of identity construction for immigrants, yet this process is context-specific and dynamic. The results of the study provide significant contributions to the literature on the relationship between music and identity, offering practical suggestions on how music can be effectively utilized as a tool in social integration processes. This research enables the development of a broader understanding of the role of music in the construction of transnational identities.

Author Biography

  • Alper Şakalar

    Assoc.Prof.Dr. Alper Şakalar, born in 1984. He completed his undergraduate education at İnönü University in the Department of Music Theory and later earned his master's and doctoral degrees in music and performing arts. Şakalar has performed as a soloist in numerous concerts and events, and he has received various awards as well as radio and television program recordings. He was awarded the title of associate professor in the field of performance and continues his work at Kahramanmaraş Sütçü İmam University, Kahramanmaraş, Turkiye

     

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Published

2024-12-30

How to Cite

Şakalar, A. (2024). The role of musical practices in the formation of transnational identities among migrant communities. Journal of Music Theory and Transcultural Music Studies, 2(2), 91-104. https://doi.org/10.5281/zenodo.15031815